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Picture Windows

Duration: 3:22 minutes
Accession No: TWCMS : 2009.386
This story has been viewed 2261 times

Summary
Jenny talks about her collection of postcards from the early 20th century and how they serve as a 'picture window' into the past.

By Jenny Hillier


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Video transcript

Encountering the richly eclectic range of artefacts in the Beamish Museum stores, I experienced a singular sense of the actuality of times past. 

Some items, such as the enamelled advertising signs, and examples of household equipment, I remembered from my childhood; but others, dating from an earlier period, I could relate to only through the lens of sympathetic imagination. 

This urge to experience - even at a remove - the lives of ordinary people who lived a century ago is what prompted me to start collecting picture postcards. Like the objects at Beamish they provide a physical link with the past. 

I was initially attracted by the pictures themselves; but then I became intrigued by the messages on the reverse - the snippets of everyday life, the windows into thoughts and feelings. 

There are possible hints from the love-lorn : "I suppose by now you will have forgotten the sender"; and indications of romantic success : a note written mostly in French, arranging a meeting at "the same rendezvous" - was it somewhere in the Ward Jackson Park shown on the card ? - and signed "Votre ami". 

Other planned meetings are more down-to-earth and businesslike, such as the instructions sent to Moor Park, near Harrogate : "Tell Benson and Clarke to come down . . . on Saturday morning to meet us with the cattle from Middlesbrough".

There are glimpses of separated families : "Dear George I hope you are a good lad as well as Dicky. I shall soon be seeing you. Love Dad" - with three kisses; and  - in a child's hand - "Dear Mother I . . . . have been in the sharrabang to Hart and I wish to know when you are coming" - five kisses. 

A sailor named Fred buys a postcard in Hartlepool and posts it on New Year's Eve at his next port of call to his mother in Kent. 

Other cards are destined for recipients further afield - in Amsterdam, Hamburg, and Calais.

Information about a performer's booking at the Palace Theatre, West Hartlepool, rubs shoulders with the mention of a Band of Hope trip to Seaton Carew. 

Then there are those poignantly inconsequential references to matters tantilisingly just out of reach : "Sorry to disappoint Saturday morning but could not get. Had no boots." and "Reuben says you might have reminded me on about his waistcoat. He hopes you don't want it for your best boy." 

Finally, there are the mysteries : "In answer to yours of Jan 30 I shall be delighted. Chivalry says that it is the lady's privilege to name the day."  But if he was so delighted why did he wait until April 9th to post the card ?  Still, the relationship obviously blossomed, because in the August the writer sent that same lady his "French" card.  . . . . and then . . . . what happened next ?         

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